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Vanessa Redgrave
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Born into a distinguished acting family, Vanessa Redgrave knew a lot about acting technique when she started making films in the 1960s. Three decades later she has shown that an actress can improve with age. In his review of A Month by the Lake (1995), Roger Ebert sees Redgrave "at the absolute peak of physical and mental perfection". No one had any idea of what kind of a woman was in the photographs in the park in Blow-Up (1966). Her rich auburn hair was long, her physique lean, her countenance inscrutable. Three decades later a Redgrave who takes the pictures has hair that is short, the auburn shade muted. The physique is still lean and it is strong from the work it has taken to keep it that way. And the countenance is a lot easier to read. Add expertise with body language and a superb sense of timing and here is a comedienne who should still be carrying films when she is in her 90s

Vanessa Redgrave stared in:

Title Year Saw with/at: Own On? Rating
Camelot 1976 **
Agatha 1979 With Jessica **
Howards End 1992 With Greta * 1/2
Mission Impossible 1996 Showcase North Haven **
Deep Impact 1998 Digital ** 1/2
Cradle Will Rock 1999 At Neils with Bill, Neil and Lois Read **
Letters to Juliet 2010 Suzy and Hanna Digital ** 1/2
Animals United 2010 Suzy and Hanna Digital * 1/2