Ben Miller Scroll down for movie list. Halfway through a PhD in physics at Cambridge University, Ben met Alexander Armstrong (who was also studying there) in 1992. Instead of finishing his PhD, Ben chose to scrap science for comedy and started playing at the Comedy Club Footlights, Cambridge. After four years of touring pubs and underground comedy clubs, the pair appeared on 'Saturday Night' as (now one of their most well-known sketches) Euro-Rock duo 'Strijka.' The year 1996 saw the pair nominated for the Perrier Award and were given their first commissioned series, The Armstrong and Miller Show (1997). Broadcast first on the Paramount Channel, which was then followed by three further series shown on Channel Four (1997, 1999 & 2001). Ben and Alexander took "The Armstrong and Miller Show" on tour in November 2001 and did a 17-day back-to-back stint. The success of "Armstrong and Miller" (1997)_ gave Ben a springboard to work on other projects. _Passion Killers (1999)_ and The Blind Date (2000) are just two of the television films that enabled Ben to go more mainstream and show that he is capable of straight acting as well as his cheeky-chappy side shown in The Armstrong and Miller Show (1997). Ben is not shy of the big screen either. August 2001 saw the release of Steve Coogan's: The Parole Officer (2001), in which Ben played small-time criminal Colin; in 1999, he starred alongside Ray Winstone and Robert Carlyle in the comedy drama_ There's Only One Jimmy Grimble (2000)_. Most people may not recognize Ben as the voice of ITV's Digital Monkey that stars alongside fellow comedian Johnny Vegas in the infamous adverts, which has led to a wad of merchandise and a string of 15-minute programs yet to be shown. March 2002 saw Ben as a snotty hotel concierge in Jez Butterworth's film Birthday Girl (2001). With further future projects lined up for 2002 (including a six-part series called The Book Group (2002), to be shown later on), only time will tell if the 35-year-old will remain underground or leap out into the mainstream audience.
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